Hauptwerk Sample Set - Marcussen Organ

A sample set can often be easily customized if the ODF is a standard XML file. 'Pipeloops makes and distributes sample sets for the Hauptwerk, the virtual pipe. And Soundfont versions of recordings - here applied to a Marcussen organ. The smaller and the older brother of the main rear gallery organ (which is available as a sample set for Hauptwerk as well) is located in the Transept of the same St. Laurentis church in Rotterdam (Netherlands) and it is a top example of the European organbuilding of the mid twentieth century, in the years following the 2nd World War. Sample set migration process: converting the licenses of existing sample sets and downloading the new sample set versions I have an iLok license for my Inspired Acoustics sample set, but I do not have an Activation Code, so I cannot register and access the sample set download at the Inspired Acoustics website. In November of 2018, we merged with CLR Resources, now we are the sample producer offering the most American instruments for the Hauptwerk market. In the winter of 2020, we released a sample set of an historic American organ – the 1852 Simmons organ at Los Altos UMC, and Summer 2020 saw the release of the 1925 E.M. Skinner at Holy Trinity RC.

  1. Hauptwerk Sample Set - Marcussen Organization
  2. Hauptwerk Sample Set - Marcussen Organic
  3. Hauptwerk Pipe Organ

Our story, our aesthetic

Hauptwerk Sample Set - Marcussen Organ

We started our sampling journey back in 2004, in the early days of Hauptwerk. Our first project was the 1966 Schantz, a 32 rank 2m organ. Some stops were added from other sources with similar acoustics to bring it to 3m and about 47 ranks, and in 2006 the set was prepared for the completely redesigned HW version 2.

In intervening years, we had other projects for private use, the first of which was to ‘port the original Jeux d’orgues 2 from a soundfont to HW1, the creation of a Cavaille-Coll clone from existing ranks (there were no CC for Hauptwerk at the time).

It was not until 2011 when we decided to release another instrument. We were offered the opportunity to sample an historic 1926 Wangerin (mostly unaltered) in the Madison Masonic Center (Madison, WI). We also created a mini-set to emulate the organs found in the 2 lodges there, as they were not in good enough shape to sample, but being by the same maker, we could get a very close approximation by using stops from the Auditorium instrument.

In October 2016, we sampled a 1983 3/50 Schantz at St. Philip’s ELCA in Fridley, Minnesota. This is a neo-baroque/American Classic instrument in great condition and lots of fun to play. It was finished and released to the public in late January 2017.

In November of 2018, we merged with CLR Resources, now we are the sample producer offering the most American instruments for the Hauptwerk market. In the winter of 2020, we released a sample set of an historic American organ – the 1852 Simmons organ at Los Altos UMC, and Summer 2020 saw the release of the 1925 E.M. Skinner at Holy Trinity RC in Georgetown. Fall 2020 brings the release of the 1961 Aeolian Skinner at Pasadena Presbyterian Church, and Spring 2021 the 3 organs of Immanuel Presbyterian Church in Los Angeles.

Shipping & Fulfillment

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FTP orders – download details sent within 24 hours

This page shows the Hauptwerk virtual organs that can be used with version 4.0 or higher with the best sound quality for recording technique and sampling.


The Project:

Organs

The project aims to introduce, in the Community Hauptwerk, a number of organs builtaccording to the Italian tradition, which developed from the Middle Ages up to the 1700s.Period in which almost all the churches in Italy were endowed with an organ. The old Italian organ, usually had only one keyboard with approximately 12 stops butwith high-quality featuressound, due to the low wind pressures. The double keyboard was not heard and when you began to realize it was resorted to stop broken. The most usedpedalboard wasin sixth or 'scavezza'withvery short, inclined pedalsso thatthe tip of the foot could be used and in general it was extended to nine pedals. The air pressure, distributed from cuneiform bellows, was extremely low and did not exceed 48 mm at the water column.

The Italian organ of this periodhad these features becauseit was primarily intended for liturgy and the accompaniment ofpeople singing in churchand the pedal was used at the end of musical phrases. The peculiarities that were found in the ancient Italian organs, were the fusion of sound and composition filled with stops of the same family.

Hauptwerk Sample Set - Marcussen Organization

The modern Italian organ was influenced, in the early 1900s,by the Cecilianchurch reform. However, it was only in 1930, when the most important Italian organists gathered in Trento under the guidance of Bishop Raffaele Manari, that the guidelines were defined for the organbuilders in the construction of these instruments, so as not to lose the successful Italian tradition.

Hauptwerk Sample Set - Marcussen Organic


Recording Audio Samples:

Hauptwerk Pipe Organ

It is well known that one of the most difficult instruments to register is the pipe organ, both for its dimension, for its location in the church and in the large environment in which it is placed. The quality of a good audio sample originates from its recording and, for that reason, MidiPipeOrgan, with over twenty years experiencehas developed its ownrecording technique of audio samples in order to maintain presence and vitality without sacrificing the environmental features of of the church where the organ is placed. With this technique, samples are natural, without sounding too close or too distant, giving the listener the impression of being in the best possible place in the church where the organ is placed. Particular attention has been given to the tail of release of the sample. All the noises produced by the organ are recorded, including the mechanical noise of the keys and stops that are reproduced in Hauptwerk when the instrument is played. InHauptwerk software the characteristicsof wind pressure of the organ are reproduced. All samples have been recorded stereo with a sampling frequency of 96Khz 24 Bit.